Wood, Wellbeing, and What's Been Happening in the Workshop

This podcast, a collaboration between the American Hardwood Export Council (AHEC) and Disegno journal, dives deep into the world of forests, the timber industry, and how wood is used in design and architecture. One episode that really sparked my thinking featured Amanda Sturgeon discussing the fascinating concept of biophilic design.

Ever feel instantly better stepping into nature? That's the core of biophilic design – bringing those natural vibes inside. It's way more than just sticking a few plants in a corner (though those definitely help!). We're talking about fundamentally designing spaces that feel inherently good for us, tapping into that deep-down human connection with the natural world. Think sunlight streaming in, the tactile beauty of natural materials, or even designing nooks that feel like a cozy hideaway with a great view. It's no surprise then that the use of timber in our homes connects us to our natural environment, bringing a sense of warmth and organic texture.

Why should you care? Well, imagine spaces that actually reduce stress, get your creative juices flowing, connect you to the whenua, the source of life, and just feel healthier overall. From better sleep to sharper focus, biophilic design is about creating environments where we thrive, not just exist. It's about building spaces that feel right, because deep down, we're wired for nature.

So why did I get excited when I heard about biophilic design? I’ve always had a special interest in the feel, look, and warmth that timber creates in a home and have been drawn to create beautiful objects from special timber to make our life a little bit more joyous. It turns out there is a word and a field of study that supports what we kind of knew deep down. That’s kind of cool.

Have a listen here:

Speaking of connection, how do you celebrate a 5th wedding anniversary? This awesome couple had a truly unique idea: spending two hours making a pot stirrer and chopping board together to mark the day! It was a new experience for them, and for me too, but I loved the challenge of teaching the skills one-on-one and helping them create two very beautiful items. If you and a friend are interested in a making experience, reply to me here and we'll chat further.

Mother's Day is just around the corner. Growing up in the 70s, I remember my mum loved displaying little vases of dried garden flowers around the house. While I probably wasn’t into them then, I really enjoy making them now for others. In preparation for Mother's Day, I have a bunch of lovely gifts available online: walnut vases with their rich grain, rare spalted walnut vases with delicate figuring, small chopping boards, coffee scoops, and bowls. Order here so they arrive in time!

What's been coming out of the workshop lately? My friends had some beautiful mid-century dining chairs they wanted to keep going for another 40 years. However, the old glue in the joints had given up. It’s so satisfying to repair well-made furniture. I pulled the chairs apart, cleaned the joints, reglued, and reassembled them. These chairs were made by people who cared about quality and design, so I’m happy to see them go another round. I hope one day when I’ve put my tools down, someone will reglue some of my furniture for someone who still loves and cares for them.

Up next is a project I’m looking forward to: a commission for a walnut slab coffee table. I love this slab and all its natural imperfections and evidence of insect activity. It's not done yet, but here's a glimpse of the to-scale model I created for the customer and the slab waiting to be used.

Finally, all my work is fueled by good audiobooks. Just finished a truly lovely read: "Ingrained: the making of a craftsman”. An Uplifting Memoir About Woodworking and Craftsmanship by the Scottish woodworker Callum Robinson. This isn't just a book about wood; it's a deeply personal journey into the heart of making. Robinson beautifully weaves together his own story, his relationship with his master craftsman father, and the profound connection he finds in working with wood. As a fellow maker, his honest account of the challenges and joys of building a woodworking business really resonated with me – the financial uncertainties, the constant need to balance artistic integrity with market demands, and the sheer hard work involved in creating something lasting with your own hands.

Beyond the business side, "Ingrained" is a thoughtful reflection on our relationship with nature and the inherent satisfaction of creating. Robinson's writing is evocative, bringing the textures and scents of the workshop to life. It’s a reminder of the value of slowing down, working with intention, and the deep connection that can be forged with the materials we use. If you appreciate craftsmanship, have ever dreamed of making a living with your hands, or simply enjoy a beautifully written memoir about passion and perseverance, I highly recommend "Ingrained." It offers a genuine and inspiring glimpse into the world of a dedicated maker.

Now I have two more countries I want to head to to talk furniture: Scotland and Japan.

Don’t forget, if I can help out in any way – be it repairing some furniture, teaching some new making skills, or helping you grab a gift for family or friends – just let me know by replying to this email.

Cheers,

John